punkbooster
Hometown Hero
6 июля - дата выхода ДВД.
malignant
draconian times
- Sex
- мужской
- Messages
- 6,013
- Joined
- Sep 29, 2009
- Reaction score
- 5,657
с рипом DVD похоже пока тишина, но два лайв-сета оттуда все же рипнули:
(c) http://www.altpress.com/features/en...on_mccall_on_keeping_it_heavy_surfing_and_the
запись идет уже несколько недель :up: альбом продюсирует Matt Hyde (Slayer, Hatebreed).
Добавлено через 23 часа 5 минут
а вот и он :hi:
https://thepiratebay.se/torrent/7443687/Parkway_Drive_-_Home_is_for_the_Heartless(Blu-Ray_Rip
https://www.youtube.com/watch?v=4O8H5c7aWC4
https://www.youtube.com/watch?&v=VMGYn2RVAj0
Exclusive Interview: Parkway Drive’s Winston McCall on keeping it heavy, surfing and their new album
It’s been two years since PARKWAY DRIVE reinvigorated the stagnant metalcore genre with their breakthrough album, Deep Blue. Now, the Australians have teamed up with producer Matt Hyde (Slayer, Hatebreed) and are heading back into the studio to shake things up again. Frontman Winston McCall checked in with AP to discuss Parkway’s most ambitious album to date and the band’s transition from Aussie slackers to international frontrunners.
Interview: Dan Stapleton
Where are you guys at the moment?
WINSTON MCCALL: We’re at Sunset Lodge studios in Los Angeles. We’ve got six or seven weeks here to record our new album. We’ve almost finished tracking the drums and so far, it’s sounding absolutely amazing.
Matt Hyde is your third producer in the space of four albums. Why did you decide to change personnel again this time around?
We had a bit of a different idea of what we wanted to do on this record–we’re not really down for making the same album twice–and we felt that we needed to switch something up in order to achieve that different sound. A friend recommended Matt to us, and when we met up with him it clicked straight away.
Some bands, especially heavier bands, tend to go into the studio with a really set idea of what they want to do, and they treat their producer almost like an engineer: “Just get the tracks down.” Do you take that approach or do you prefer the producers become more involved?
Well, this time we did want to have a lot of outside involvement. On Deep Blue, we pretty much wrote everything beforehand and recorded it exactly how we wanted it–which was great. But this time around we thought, “Let’s try to get outside opinions on these things.” We’ve got a lot of musical ideas for this record that are completely new to us, and we needed someone to help us realize them. Luckily, Matt has really come to the party with that stuff.
Your first three albums seemed like a natural progression – an ongoing refinement of the “Parkway Drive sound.” But from what you’re saying, it sounds like this next record could be a real departure.
Well, I think that out of all our records this one’s probably going to shock people the most, because there are some things in here that…[pauses] I don’t think it’s big changes to the Parkway Drive sound, but we’re going to add stuff to the sound that people would never expect. On Deep Blue, we experimented with a couple of new things in small doses to see if they worked–and they did. So this time around we said, “Okay, if that worked, we can do it to a larger degree, and we can do it in more places, and do it with more instruments and more voices.” It’s like the gates have opened in the creative department.
So we’re talking about a more atmospheric set of songs?
Yeah, those elements from Deep Blue will be present to a much greater degree. With the atmospheric stuff on this record, there’s so much more layering, and so much more depth to it. But the heavy stuff… I’m saying all these things about “new elements,” and people are probably thinking that it’s going to be soft, but the heavy stuff on this record is so stupidly heavy, it’s ridiculous. I think when the first single drops, people will realize that Parkway haven’t gone backwards in terms of heaviness. Our playing has improved, too. Even the simplest stuff—when it comes down to just the four elements of guitar, bass, drums and vocals—all of that has been taken to a degree that’s way, way more advanced than anything we’ve done in the past.
What’s been inspiring you lyrically this time around?
It’s a pretty broad base. I chose to write in the complete opposite way to how I was writing last time. For Deep Blue, I wrote in one specific voice from start to finish. This time, I wanted to be more blunt and to-the-point, and also a lot more varied. So this record doesn’t have one underlying theme; it’s more a snapshot of what’s influenced me in the past year.
Why did you choose to record this new album in the States instead of Australia? Does being in L.A. put you in a certain mindset?
Definitely. It puts us into business mode. We’ve played around with the idea over the last couple of years of bringing someone out to Australia and recording there; doing it around Byron [Bay] so we can be near home. But I think doing that would lead to a more… relaxed atmosphere [laughs.] We’d say, “Oh, I’m gonna go for a surf now,” or, “I’ll worry about recording later.” When we’re recording in the U.S., as soon as we get off the plane, we’re like, “Right, we’re doing this record now.” You live it, you breathe it, for the entire time that you’re here. I wake up in the morning and my first thoughts are of what we worked on the day before and what we’re about to work on. We wouldn’t be able to achieve that mindset if we were at home, in our comfort zone.
But you’d still choose surfing in Byron over surfing in L.A.?
[Laughs] Definitely would, yeah. But I’d choose recording in L.A. over recording in Byron.
You guys tour a hell of a lot these days, and your career focus is international now rather than Australia specific. Do you still feel connected to the Australian hardcore scene or have you drifted away from it?
There is a touch of removal from that. Because we’re not playing as many local shows, we don’t have our fingers on the pulse quite as much, and we miss out on what bands are coming up. But it does lead to pleasant surprises in that regard. Also, we’re more invested over a larger area now. Back in the day, we had little to no idea of what was going on over in Europe or in the States, but we knew exactly what was going on in the Australian scene. Now that we’ve spread out, we know a bit of what’s going on everywhere. We still miss home, and when we play shows in Australia, it reminds us of that immediately. But at the same time, it’s pretty wild to be able to go overseas and play shows with crowds that rival the numbers we would get at home.
Can you recommend some up-and-coming Aussie bands to AP readers?
I’ll give you three: a band called Northlane, who we toured with on our last Australian tour. They’re just young kids, but they’re fucking incredible–amazing musicians and insanely heavy. There’s a great new band called Survival who are pretty much classic hardcore. And a band called I Exist, who… God, I don’t even know where to start describing them. If you like songs about wizards but played pretty much as heavy as possible, yeah, check ’em out.
When you guys are traveling the world, do people make assumptions about you just because you’re Australian?
To be honest, most people hear our accents and think we’re English. [Laughs.] Which is pretty fucking weird. What I find interesting is seeing what kind of things you can convince people actually happen in Australia. So many people think that koala bears are dangerous, that you can ride kangaroos to work… random crap like that. That’s the fun part of it. Other than that, we mainly get the standard “shrimp on the barbie" kind of things.
It’s been two years since PARKWAY DRIVE reinvigorated the stagnant metalcore genre with their breakthrough album, Deep Blue. Now, the Australians have teamed up with producer Matt Hyde (Slayer, Hatebreed) and are heading back into the studio to shake things up again. Frontman Winston McCall checked in with AP to discuss Parkway’s most ambitious album to date and the band’s transition from Aussie slackers to international frontrunners.
Interview: Dan Stapleton
Where are you guys at the moment?
WINSTON MCCALL: We’re at Sunset Lodge studios in Los Angeles. We’ve got six or seven weeks here to record our new album. We’ve almost finished tracking the drums and so far, it’s sounding absolutely amazing.
Matt Hyde is your third producer in the space of four albums. Why did you decide to change personnel again this time around?
We had a bit of a different idea of what we wanted to do on this record–we’re not really down for making the same album twice–and we felt that we needed to switch something up in order to achieve that different sound. A friend recommended Matt to us, and when we met up with him it clicked straight away.
Some bands, especially heavier bands, tend to go into the studio with a really set idea of what they want to do, and they treat their producer almost like an engineer: “Just get the tracks down.” Do you take that approach or do you prefer the producers become more involved?
Well, this time we did want to have a lot of outside involvement. On Deep Blue, we pretty much wrote everything beforehand and recorded it exactly how we wanted it–which was great. But this time around we thought, “Let’s try to get outside opinions on these things.” We’ve got a lot of musical ideas for this record that are completely new to us, and we needed someone to help us realize them. Luckily, Matt has really come to the party with that stuff.
Your first three albums seemed like a natural progression – an ongoing refinement of the “Parkway Drive sound.” But from what you’re saying, it sounds like this next record could be a real departure.
Well, I think that out of all our records this one’s probably going to shock people the most, because there are some things in here that…[pauses] I don’t think it’s big changes to the Parkway Drive sound, but we’re going to add stuff to the sound that people would never expect. On Deep Blue, we experimented with a couple of new things in small doses to see if they worked–and they did. So this time around we said, “Okay, if that worked, we can do it to a larger degree, and we can do it in more places, and do it with more instruments and more voices.” It’s like the gates have opened in the creative department.
So we’re talking about a more atmospheric set of songs?
Yeah, those elements from Deep Blue will be present to a much greater degree. With the atmospheric stuff on this record, there’s so much more layering, and so much more depth to it. But the heavy stuff… I’m saying all these things about “new elements,” and people are probably thinking that it’s going to be soft, but the heavy stuff on this record is so stupidly heavy, it’s ridiculous. I think when the first single drops, people will realize that Parkway haven’t gone backwards in terms of heaviness. Our playing has improved, too. Even the simplest stuff—when it comes down to just the four elements of guitar, bass, drums and vocals—all of that has been taken to a degree that’s way, way more advanced than anything we’ve done in the past.
What’s been inspiring you lyrically this time around?
It’s a pretty broad base. I chose to write in the complete opposite way to how I was writing last time. For Deep Blue, I wrote in one specific voice from start to finish. This time, I wanted to be more blunt and to-the-point, and also a lot more varied. So this record doesn’t have one underlying theme; it’s more a snapshot of what’s influenced me in the past year.
Why did you choose to record this new album in the States instead of Australia? Does being in L.A. put you in a certain mindset?
Definitely. It puts us into business mode. We’ve played around with the idea over the last couple of years of bringing someone out to Australia and recording there; doing it around Byron [Bay] so we can be near home. But I think doing that would lead to a more… relaxed atmosphere [laughs.] We’d say, “Oh, I’m gonna go for a surf now,” or, “I’ll worry about recording later.” When we’re recording in the U.S., as soon as we get off the plane, we’re like, “Right, we’re doing this record now.” You live it, you breathe it, for the entire time that you’re here. I wake up in the morning and my first thoughts are of what we worked on the day before and what we’re about to work on. We wouldn’t be able to achieve that mindset if we were at home, in our comfort zone.
But you’d still choose surfing in Byron over surfing in L.A.?
[Laughs] Definitely would, yeah. But I’d choose recording in L.A. over recording in Byron.
You guys tour a hell of a lot these days, and your career focus is international now rather than Australia specific. Do you still feel connected to the Australian hardcore scene or have you drifted away from it?
There is a touch of removal from that. Because we’re not playing as many local shows, we don’t have our fingers on the pulse quite as much, and we miss out on what bands are coming up. But it does lead to pleasant surprises in that regard. Also, we’re more invested over a larger area now. Back in the day, we had little to no idea of what was going on over in Europe or in the States, but we knew exactly what was going on in the Australian scene. Now that we’ve spread out, we know a bit of what’s going on everywhere. We still miss home, and when we play shows in Australia, it reminds us of that immediately. But at the same time, it’s pretty wild to be able to go overseas and play shows with crowds that rival the numbers we would get at home.
Can you recommend some up-and-coming Aussie bands to AP readers?
I’ll give you three: a band called Northlane, who we toured with on our last Australian tour. They’re just young kids, but they’re fucking incredible–amazing musicians and insanely heavy. There’s a great new band called Survival who are pretty much classic hardcore. And a band called I Exist, who… God, I don’t even know where to start describing them. If you like songs about wizards but played pretty much as heavy as possible, yeah, check ’em out.
When you guys are traveling the world, do people make assumptions about you just because you’re Australian?
To be honest, most people hear our accents and think we’re English. [Laughs.] Which is pretty fucking weird. What I find interesting is seeing what kind of things you can convince people actually happen in Australia. So many people think that koala bears are dangerous, that you can ride kangaroos to work… random crap like that. That’s the fun part of it. Other than that, we mainly get the standard “shrimp on the barbie" kind of things.
(c) http://www.altpress.com/features/en...on_mccall_on_keeping_it_heavy_surfing_and_the
запись идет уже несколько недель :up: альбом продюсирует Matt Hyde (Slayer, Hatebreed).
Добавлено через 23 часа 5 минут
а вот и он :hi:
https://thepiratebay.se/torrent/7443687/Parkway_Drive_-_Home_is_for_the_Heartless(Blu-Ray_Rip
ray:
punkbooster
Hometown Hero
Ебать в Мск был угар. Весело они по улицам покатались, все такое :up:
malignant
draconian times
- Sex
- мужской
- Messages
- 6,013
- Joined
- Sep 29, 2009
- Reaction score
- 5,657
на видео с концерта в Мск я все искал лица своих друзей :stupid:
к слову - в вк в оф. группе PWD есть видос с личным обращением Винса, суть которого в том, что они собираются в Украину в ближайшем туре, так что готовьтесь, я думаю :hi:
к слову - в вк в оф. группе PWD есть видос с личным обращением Винса, суть которого в том, что они собираются в Украину в ближайшем туре, так что готовьтесь, я думаю :hi:
punkbooster
Hometown Hero
Оввввввввввв ееееееееееееа! Встану перед камерой и буду как пацан в Бразилии: "эм, ай вэнт фром вест оф Юкрейн, ит воз 14 ауерз трип, эээм, анд мазафака бест шоу оф май лайф" :stupid:
Пиздец угар был с мерчем на видосе, это же пиздец. Похлеще Китая :rofl:
Добавлено через 1 час 29 минут
А где блядь концерт?
Пиздец угар был с мерчем на видосе, это же пиздец. Похлеще Китая :rofl:
Добавлено через 1 час 29 минут
А где блядь концерт?
punkbooster
Hometown Hero
malignant, то шо ты скинул - это тру стори про их турне по миру :sad:
punkbooster
Hometown Hero
Фильмец крутой, но я хочу профессиональный лайв шоле :yeah:
punkbooster
Hometown Hero
malignant, скачать в качестве, а не на ютубеке втыкать.
punkbooster
Hometown Hero
malignant, ну серьезно, нахуя двдшный концерт втыкать на ебаном ютубе? Я хочу подключить через хдми к плазме и так залипать, во всей красоте :dontknow:
punkbooster
Hometown Hero
Почитал описание на пайратбэе - чувак сказал, что если кто хочет концерт, то пиздуйте покупайте ДВД за 15 бачей :stupid:
Unhallowed
MCD
Классная документалка, у парней был действительно заебенный тур! :up:
punkbooster
Hometown Hero
https://www.youtube.com/watch?v=3Cv5PGCFixE
Last edited:
igorek-hxc
без статуса
отличный трек, 100% парквей драйв
если альбом будет в том же ключе - я не буду разочарован
если альбом будет в том же ключе - я не буду разочарован
punkbooster
Hometown Hero
https://www.youtube.com/watch?v=_7lpftvYDMA
Даже так.
Даже так.
punkbooster
Hometown Hero
Parkway Drive выпустят свой новый альбом Atlas, 30 октября.
Track Listing:
01. Sparks
02. Old Ghosts / New Regrets
03. Dream Run
04. Wild Eyes
05. Dark Days
06. The River
07. Swing
08. The Slow Surrender
09. Atlas
10. Sleight of Hand
11. Snake Oil and Holy Water
12. Blue and the Grey
Track Listing:
01. Sparks
02. Old Ghosts / New Regrets
03. Dream Run
04. Wild Eyes
05. Dark Days
06. The River
07. Swing
08. The Slow Surrender
09. Atlas
10. Sleight of Hand
11. Snake Oil and Holy Water
12. Blue and the Grey
Alexandr1727
mp3 56 kbps
отличный клип на Dark Days, и песня збс)
punkbooster
Hometown Hero
https://www.youtube.com/watch?v=o4rvMrmX0sI
The Conqueror Worm
spirit of the void
блин, я как-то профакапил с выходом двд ) качаю уже ) прошлое двд было самым душевным из всхе что я видел )
так что там с украиной, будут тут? я б поехал :in_love:
так что там с украиной, будут тут? я б поехал :in_love:
punkbooster
Hometown Hero
4иЖ, ты бы и на The Chariot ехал :yeah:
h-yeah: